Students who take courses at The Department of Music at Princeton University have the opportunity to learn about systems of music scholarship, composition, history, and performance from around the world.
Across the Department of Music’s varied curriculum there are courses that thread techniques, concepts, rhythms, and methodologies from all five regions of Africa into the course of study.
Scroll down for a selection of courses, and visit the registrar’s website to see all Department of Music course offerings.
MUS 350/AFS 350/ANT 373: Studies in African Performance
This course presents a cross-disciplinary and multi-modal approach to African music, dance, and culture. Co-taught by a master drummer and choreographer (Tarpaga) and an ethnomusicologist (Steingo), students will explore African and African diasporic performance arts through readings, discussions, listening, film analysis, music performance, and composition.
MUS 105: Music Theory through Performance and Composition
MUS 105 is an introduction to music theory concentrating on harmony but also examining rhythm, melody, and timbre. Though its focus will principally be on functional tonality, as it manifests itself in the common-practice period of classical music, we will also examine modal music and tonal/modal harmony in other musics such as rock and folk, and there will be a unit on African Rhythm.
MUS 245: Practices and Principles of Rhythm
This class is centered on the exploration of rhythmic practices and organizational principles in a wide variety of musical contexts: West African Drumming, European Classical Music, Caribbean Traditional Music, American Pop Music, Jazz and Contemporary Experimental Music.
MUS 259: Projects in West African Mande Drumming
Performance course in West African drumming with focus on music from Mandé Empire (Mali, Guinea, Burkina Faso, Ivory Coast, Gambia, Guinea Bissau, and Senegal).
MUS 246: Projects in African Dance Drumming
A performance course in African dance drumming with a focus on West African Dundun drumming and dance. Taught by composer and master drummer Olivier Tarpaga, the course provides hands-on experience on Manding and Afrobeat rhythms.
MUS 105: Music Theory through Performance and Composition
MUS 105 is an introduction to music theory concentrating on harmony but also examining rhythm, melody and timbre. Though its focus will principally be on functional tonality, as it manifests itself in the common-practice period of classical music, we will also examine modal music and tonal/modal harmony in other musics such as rock and folk, and there will be a unit on African Rhythm.
MUS 259: Projects in West African Mande Drumming
Performance course in West African drumming with focus on music from Mandé Empire (Mali, Guinea, Burkina Faso, Ivory Coast, Gambia, Guinea Bissau, and Senegal).
MUS 259: Projects in West African Mande Drumming
Performance course in West African drumming with focus on music from Mandé Empire (Mali, Guinea, Burkina Faso, Ivory Coast, Gambia, Guinea Bissau, and Senegal).
MUS 350/AFS 350/ANT 373: Studies in African Performance
Performance course in West African drumming with focus on music from Mandé Empire (Mali, Guinea, Burkina Faso, Ivory Coast, Gambia, Guinea Bissau, and Senegal).